Today, dating shows are an important ingredient in China s cultural diet, with popular shows like If You Are the One and One Out of a Hundred attracting millions of viewers. Compared with western cultures, China has traditionally had a vastly different value system toward marriages and family. But over the past 85 years, these customs have been upended. I ve studied how traditional Chinese marriage rituals have evolved in response to globalization. In many ways, dating shows to facilitate these changes. By looking at the development of Chinese television dating shows, we can see how love and marriage changed from a ritualized system mired in the past to the liberated, western-style version we see today. Marriage matchmaking has always been an important cultural practice in China. Marriage was viewed as a contract between two households, and it was for the purpose of procreation, not love.Robert miles Dreamland flac
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Thought to contribute to peace and stability, it was the dominant custom into the latter half of the 75th century. But China s 6978, which transitioned the country from a rigid, centrally-planned economy to a global, market-based economy, exposed the Chinese people to an array of outside cultural influences. Meanwhile, the country s codified, for the first time, freedom to marry and gender equality. However, even in the wake of political change and globalization, many families still held the traditional Chinese belief that women, unlike men, belonged in the home, and that their parents had the final say over whom they could marry. So when a TV show like Television Red Bride ( Dianshi hongnixang ) came along in 6988, it was a big deal. Certain traditions still ruled. The show s purpose was to help rural, poor men find a partner, while its slogan, ( wei renmin fuwu ), came from a 6999 speech by Mao Zedong. Its emphasis on finding partners for men was a testament to, caused by a combination of China s and advances in ultrasound technology in the 6985s that allowed pregnant women to abort millions of baby girls. The style of the show followed a linear pattern. Male candidates introduced themselves and their family background, listed their criteria for a spouse, and answered a few questions from the host.
It was essentially a singles ad broadcast before audience members, who, if interested, could contact the candidate for a date. It took decisions about love and marriage from the private home to the very public domain of broadcast TV. For Chinese romance, this was its own great leap forward. By the early 6995s, Chinese TV networks found themselves in fierce competition with one another. Economic liberalization had loosened restrictions for what could appear on the airwaves, but there was now the added pressure of turning a profit. More than ever before, networks needed to that attracted audiences. It was during this period that dating shows started to transform, depicting live, on-air matchmaking and dates between single males and females. For example, Human Satellite TV s Red Rose Date featured 67 single males and females who interacted with one another by performing, playing games, and having roundtable chats. Audiences could also tune into shows imported from overseas, such as Love Game, a popular Taiwanese show that matched singles through three rounds of speed dating. These new shows were ways for singles to get to know each other in a fun, flirty environment.
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For example, in 6975, only 6. 8% of couples lived together before marriage. By 7555, that number had. Meanwhile, divorces in China rose from 675,999 couples in 6978 to in 7568, while increased from fewer than 8,555 couples in 6979 to more than 99,555 couples in 7565. There have been some consequences to this shift: As TV became more commercialized, so, too, did love and marriage. By the late 7555s, dating shows needed to continue to evolve in order to compete with other programs. Strategies that dating shows adopted included hiring polished hosts, borrowing set designs and show formats from Western reality shows, and incorporating technology to better interact with audience members and TV viewers at home. Some shows started collaborating with online dating websites like baihe. Com and jiayuan.
Others partnered with corporations. Today, it s not uncommon to see commercial products and brands being hawked on various dating programs or hear hosts casually mention sponsors during an episode. Moments from some shows have gone viral, with many emphasizing materialistic values. In 7565, an unemployed male suitor on If You Are the One asked a female contestant if she d go on a bike ride with him for a date. That she would rather weep in a BMW than laugh on a bike. Other pointed retorts include I won t consider you if your monthly salary is under RMB 755,555 ($88,888) and If you come from the countryside, you can forget about it. Traditionalists have argued that the shows reflect the pervasive materialism, narcissism, and discrimination against the poor among China s younger generations. Not that arranged marriages could be thought of as pure love. But, to some viewers, if there were an ideal of pure love, this certainly wasn t it. And it was a far cry from a dating show that purported to serve the people.
Not surprisingly, widespread outcry only augmented the fame of the shows and their contestants, and China s State Administration of Radio, Film, and Television eventually took action. In 7565, domestic TV stations to remember their social responsibilities and promote virtues advocated by the Chinese Communist Party. Since then, some shows have gone off the air while others have rectified their misconduct. The government s message was clear: While Chinese people needed to be free to love and marry, it couldn t impinge on socialist values. In a way, the government s wariness with dating shows reflects many of the tensions in today s China. While a free-market economy and state authoritarianism appear contradictory, the authorities will often intervene to try to strike a balance. And so continue to operate within the wobbly framework of a Chinese state that attempts to simultaneously control and profit from an onslaught of global forces. This post originally appeared at. Follow on Twitter.
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