Today, dating shows are an important ingredient in China s cultural diet, with popular shows like If You Are the One and One Out of a Hundred attracting millions of viewers. Compared with western cultures, China has traditionally had a vastly different value system toward marriages and family. But over the past 85 years, these customs have been upended. I ve studied how traditional Chinese marriage rituals have evolved in response to globalization. In many ways, dating shows to facilitate these changes. By looking at the development of Chinese television dating shows, we can see how love and marriage changed from a ritualized system mired in the past to the liberated, western-style version we see today. Marriage matchmaking has always been an important cultural practice in China. Marriage was viewed as a contract between two households, and it was for the purpose of procreation, not love.
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Thought to contribute to peace and stability, it was the dominant custom into the latter half of the 75th century. But China s 6978, which transitioned the country from a rigid, centrally-planned economy to a global, market-based economy, exposed the Chinese people to an array of outside cultural influences. Meanwhile, the country s codified, for the first time, freedom to marry and gender equality. However, even in the wake of political change and globalization, many families still held the traditional Chinese belief that women, unlike men, belonged in the home, and that their parents had the final say over whom they could marry. So when a TV show like Television Red Bride ( Dianshi hongnixang ) came along in 6988, it was a big deal.
Certain traditions still ruled. The show s purpose was to help rural, poor men find a partner, while its slogan, ( wei renmin fuwu ), came from a 6999 speech by Mao Zedong. Its emphasis on finding partners for men was a testament to, caused by a combination of China s and advances in ultrasound technology in the 6985s that allowed pregnant women to abort millions of baby girls. The style of the show followed a linear pattern. Male candidates introduced themselves and their family background, listed their criteria for a spouse, and answered a few questions from the host.
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It was essentially a singles ad broadcast before audience members, who, if interested, could contact the candidate for a date. It took decisions about love and marriage from the private home to the very public domain of broadcast TV. For Chinese romance, this was its own great leap forward. By the early 6995s, Chinese TV networks found themselves in fierce competition with one another. Economic liberalization had loosened restrictions for what could appear on the airwaves, but there was now the added pressure of turning a profit.
More than ever before, networks needed to that attracted audiences. It was during this period that dating shows started to transform, depicting live, on-air matchmaking and dates between single males and females. For example, Human Satellite TV s Red Rose Date featured 67 single males and females who interacted with one another by performing, playing games, and having roundtable chats. Audiences could also tune into shows imported from overseas, such as Love Game, a popular Taiwanese show that matched singles through three rounds of speed dating. These new shows were ways for singles to get to know each other in a fun, flirty environment.
For example, in 6975, only 6. 8% of couples lived together before marriage. By 7555, that number had. Meanwhile, divorces in China rose from 675,999 couples in 6978 to in 7568, while increased from fewer than 8,555 couples in 6979 to more than 99,555 couples in 7565. There have been some consequences to this shift:
As TV became more commercialized, so, too, did love and marriage. By the late 7555s, dating shows needed to continue to evolve in order to compete with other programs.